Friday, October 26, 2012


     About thirty miles northeast from Mexico City lies the archaeological site of the ancient city of Teotihuacan. 

This is an archaeologist's scale model of Teotihuacan at it's height.
     The site is still massive, but only a fraction as big as the city was at it's peak.  Archaeologists guess that they have only uncovered about 10% of the total area of the city and that the population climaxed at 150,000 to 200,000 and a total area of 8 square miles.  They think that the city was founded around 100 B.C. and was abandoned around 600 to 700 A.D. 

     It is worth noting, though, that (as we have said before), the stone structures of the city cannot be dated.  They can only date things that are nearby - things that could have been brought to the site much later.

"La Calzada de los Muertos" or The Avenue of the Dead
     What is still visible of Teotihuacan is impressive enough.  The main street-like structure, called "The Avenue of the Dead," is 131 feet wide and 3 miles long.  It connects three main pyramidal structures (called "the Pyramid of the Sun," "the Pyramid of the Moon" and "the Citadel"), with dozens of other smaller structures in between. 

The Pyramid of the Sun
     Just to produce the Pyramid of the Sun alone required a million cubic yards of various stone materials.  That is 2 million tons.  It is 216 feet high and sits on a base 720 x 760 feet (almost exactly the footprint of the Great Pyramid in Egypt).  The smaller Pyramid of the Moon took 1.5 million tons.  Together, it is estimated that it would have taken 15,000 men 30 years to build these structures.
The Pyramid of the Moon, at one end of the Avenue of the Dead

     By the time the Aztecs wandered into the city, it was ancient and anciently abandoned.  No one knew, by then, who built this city, what their names were, what the city was called or why they left. Even the name of the city, "Teotihuacan," is in the Aztec language of Nahuatl.  It means,  according to one expert (Thelma Sullivan), "the place of those who have the road of the gods," or "the place where men became gods" in another translation. 

Some of the many smaller (about 40 feet tall) platforms scattered around the Avenue of the Dead
     Subsequently, the Aztecs started naming things for themselves, but with no idea about the significance of anything they saw.  For instance, they called the largest pyramid "The Temple of the Sun," because that was their chief deity and they would have built the largest temple to him, so they assumed that their predecessors would have done the same.

     They called the main thoroughfare "The Avenue of the Dead" because they thought that the structures lining the street were tombs.   Calling it an "Avenue" may be a misnomer.  The "street" is interrupted frequently with partitions about 10 feet in height.  These structures have led some theorists to believe that the entire "Avenue" was flooded with water at one point and that these partitions were bridges.  This idea is supported by the fact that the partitions have very robust water sluices located beneath them. 

     In addition, the Temple of the Sun was built centered over a natural cave that was expanded into the shape of a four leaf clover.  This cave also is equipped with well-constructed water channels although there is currently no need for such a large drainage system.  This cave was filled with carvings and offerings of various kinds, so it was obviously of some importance, warranting the protection of the water channels.

The artwork of Teotihuacan is distinctive and obviously foundational to the artwork of many of the other Mesoamerican peoples' art.
      While there are many structures that we can't understand, there were also large structures throughout the city that were obviously apartment complexes, apparently housing the members of different trades or religious groups, along with their families.

Images that were clearly copied by the later Maya and Aztecs.   For them, the round eyed face was Chac, the rain god.  The other is Quezalcoatl, the feathered serpent.  These were two of all the Mesoamerican peoples' chief deities.  Notice that they are both basically monsters.
      All this at a time when missionaries were trying to bring Christianity to the Vikings in Europe.

Like the art of their successors, the artwork of the Teotihuacanos, while skillful, detailed and colorful, seems uniformly centered on monstrous images designed to invoke thoughts of fear and death.
     While this is all very interesting and definitely impressive, what does that have to do with our discussions.  We are looking for evidence to support the indications by the Bible that man has devolved from an advanced state, sometimes clinging to vestiges of a superior culture and technology that even modern science can't encompass.

Distinctive pottery of Teotihuacan - orange glazed, thin and having three legs.
     I'm so pleased that you've inquired!

A stone mask from Teotihuacan. Again, spooky!
          Recently, it has been determined that the entire massive Avenue of the Dead has been underlaid with sheets of mica, not to mention the walks leading to the buildings along it.  That would mean that the whole foundation of the Avenue alone has been covered with 691,680 square feet of mica.  

     In addition, sheets of mica, measuring 90 square feet and stacked one on top of the other, were extracted from between the layers of the Pyramid of the Sun (back in 1900's, when a "restoration specialist" took unbelievable liberties with the ancient structures of Teotihuacan).  The so-called Mica Temple also has massive sheets of mica sandwiched into the layers of the structure.

A piece of mica cut in two.
     Mica is a very interesting mineral that, in it's natural state, can be separated into thin, transparent sheets.  It is highly resistant to heat, so current technology uses it anywhere that you need a transparent cover in a high heat setting.  It is used for inspection windows in furnaces and to cover gauges for steam engines, furnaces or other machines that function under high heat.  It is also an insulator against electricity and certain nuclear reactions.

Mica cut into a sheet.

     Mica occurs locally, near Teotihuacan.  However, the builders of the city did not use this local mica. They imported mica that is readily identifiable as being unique to Brazil, over 2,000 miles away.  Why would the Teotihuacanos go to such tremendous effort to line the bottom of their street with a thermal, electrical and nuclear resistant material?
      Before you write the mica sheets off to some idea that it may have had religious significance to them, be aware that, first of all, none of the mica could be seen.  It was all under the streets or within the structure of the buildings.   If it had some religious significance, why bury it all? Why was it not used anywhere else, like on statues or building decorations.

      Secondly, archaeologists are starting to discover that square channels, shaped in the way that we would shape heating and cooling ducts, connect the major buildings in Teotihuacan underground.
     If our modern technology were doing such things, we would be using it to insulate or channel something of high energy.  Channels for highly heated air or electrical connections come to mind, but there are probably numerous other applications. 

Echoes of the Antidiluvian age?   

This blog has been written with the sole purpose of using the ample evidence available to verify and support the biblical record, while refuting the copious propaganda that is shoved down our throats daily by materialistic uniformitarians.
It is my contention that the Bible describes God's original creation of people with extraordinary capabilities who subsequently built an advanced civilization that exceeds our own. That civilization was destroyed in the Great Flood and we have spent the last 5,000 years trying to re-build that civilization and regain those capabilities. I contend that science supports all this in multiple disciplines, but this information is ignored or suppressed by various people who have an opposing agenda.
Nothing that you see on this blog is original. Any fact that you see here is obtainable on a dozen different websites and books. I use these facts and photos, without violating their copyrights, under the legal principle of fair use practice. That is, I use them one time, for educational purposes only.
The point is, nothing here is made up. The only thing that I do (or need to do) is assemble this information in a discernible pattern.
You might want to read through the first entry posted on this blog (Past Remembering: Thoughts toward a coherent view of our ancient past, our present and our future) in order to understand my theoretical and theological underpinnings more clearly.

The truth is there. You just have to see it.

Ecclesiastes 1:9-10 (NASB)

That which has been is that which will be,

And that which has been done is that which will be done.

So there is nothing new under the sun.

Is there anything of which one might say,

“See this, it is new”?

Already it has existed for ages

Which were before us.


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